Audience score=4284 Votes / / Drama / At a birthday party in 1968 New York, a surprise guest and a drunken game leave seven gay friends reckoning with unspoken feelings and buried truths / runtime=121 min / writers=Mart Crowley, Mart Crowley

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The boys in the band (1970. The boys in the band new kids. Snarky, sarcastic, out and proud character study was groundbreaking in 1970 when the original film came out even if it wasn't the greatest script. But there was no reason to do it all over again and it's dated in the wrong way. Perhaps casting someone else instead of Jim Parsons may have helped slightly, but ultimately this appeals to a very narrow audience and feels like a bad broadway wait... The boys in the band. The boys in the band play. The boys in the band movie. The boys in the band rotten tomatoes. The boys in the band song. The Boys in the band blog. The boys in the band alan.

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The Boys in theband. The Boys in the bad seeds. The Boys in the bande. The Boys in the hand. The Boys in the band 3. The boys in the band broadway cast. The boys in the band trailer. This film made me laugh and made me cry.
Wonderful cast ! And the performance of Jim Parsons is superb. The characters are captivating and easy to empathize. I really enjoyed every minute. The Boys in the band website. The boys in the band synopsis. The boys in the band netflix. The boys in the band movie 1968. The boys in the band broadway. The Boys in the. The only fault I had with the movie is the ending as it didn't find out what happened to all the characters, but I am assuming that how the play ends and so I am left to wonder. The Boys in the band site. The boys in the band revival.

The boys in the band film. The boys in the band wikipedia. The Boys in the bandcamp. I LOVE this play. I love the original 1970 William Friedkin movie. Despite all its negativity and self-hating angst, it ends with a powerful message (If only we could stop hating ourselves so very much. So many of may favorite quotable lines come from this play.
That being said, I was very much looking forward to this production. I tried to get tickets to the revival in New York, but it was sadly sold out. With the glowing reviews and the high-powered, all-gay cast, I had hoped that this would be a revelatory opening of the play that would make it more relevant to today. Sadly, it was not.
Many of the scenes, particularly the opening, seemed to be exact reshoots of the original movie (remember the Psycho "remake. adding nothing new, except maybe some minor changes (e.g. Bernard now works in a library rather than a bookstore) that don't contribute to the story.
The performances were OK. I suppose that if I had not seen the original, I might be more impressed (although my husband, who had not see it, was decidedly not impressed. Perhaps Robin de Jesus was the standout for me, lending an extra air of strength and dignity to the role of Emory. But the rest of the cast just seemed to lack something. Mostly it all felt rehearsed and precise, rather than natural. I didn't feel the kind of close-knit comradery that the original movie exuded.
The two biggest disappointments for me were Jim Parsons and Zachary Quinto. Parsons seemed to play Michael as a nelly version of Sheldon Cooper. Not bitter and cynical, just depressed and resentful. His screaming confrontation of Alan seemed more of a temper tantrum than the vicious animalistic attack that made the original (for me) so pearl clutching. And the denouement, when the effects of his behavior dawn on him, lacked the fear and desperation, and replaced it with resignation.
Quinto's performance was fine, but flat. It lacked the bite of Leonard Frey's bravura take on the role. Where Frey would seem to be delighting in the show being performed, it seemed, just for him, Quinto seemed to be just another spectator. When Quinto refused the first turn at the telephone game, it is with an air of revulsion, compared to Frey's more effective disdain.
The rest of the supporting cast were basic, adequate and forgettable.
The memory scenes - Bernard with his employer's son, Emory at the Prom - were unnecessary. They simply illustrated what was being said, as if the director felt the audience didn't have the imagination to see within the mind's eye.
I could see this production working quite well on stage. I just wish the film could have given us more.

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